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課程名稱 |
廢墟美學與政治：從十七世紀晚期到浪漫時期
The Aesthetics and Politics of Ruins: from the Late 17th Century to Romanticism |
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開課學期 |
101-2 |
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授課對象 |
文學院 外國語文學研究所 |
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授課教師 |
吳雅鳳 |
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課號 |
FL7238 |
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課程識別碼 |
122 M8300 |
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班次 |
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學分 |
1 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
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上課地點 |
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備註 |
初選不開放。專題研究課程
限碩士班以上
總人數上限：1人 |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
Course Description
The course will introduce the aesthetics and politics of ruins from the 18th century to the Romantic period, and discuss how the aesthetics/politics of ruin appreciation are presented in the contemporary ruin poetry. First, the course will focus on perspectives on ruins from the late seventeenth century onwards. Besides, poetry which features on ruin sentiment in Dissolution, antiquarian interest, and the picturesque would also be covered. Next, the course will move on to the Romantic sentiments on ruins. We will discuss how Romantic aesthetics and philosophy in general contribute to people’s appropriation to ruins. The poet covered in this period is Wordsworth. And finally, we will focus on John Ruskin’s architectural theory and his perspective on ruins. Most importantly, we aim to trace a clear line of how Ruskin and Wordsworth is related in their appreciation of ruins.
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課程目標 |
Course Objectives
This independent study course seeks to encourage the individual graduate student to pursue his or her own topic of study in preparation for the dissertation work.
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課程要求 |
Requirements:
Regular assignments, tutorial, proposal, and draft of first chapter of thesis.
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預期每週課後學習時數 |
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Office Hours |
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指定閱讀 |
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參考書目 |
Assigned Readings ＆ References:
Aubin, Robert Arnold. Topographical Poetry in 18th-century England. New York: The Modern Language Association of America, 1936. Print.
Hetzler, Florence M. “The Aesthetics of Ruins: A New Category of Being.” Journal of Aesthetic Education 16. 2 (1982): 105-8. JSTOR. Web. 30 March. 2012.
Woodward, Christopher. In Ruins: a journey through history, art, and literature. New York: Vintage Books, 2003. Print.
Archer, John. “The Beginnings of Association in British Architectural Esthetics.” American Society of Eighteenth-Century Studies (1983): 241-64. JSTOR. Web. 7 Sep. 2012.
Hanle Keith. “The Stains of time: Ruskin and Romantic discourses of tradition.” The Lamp of Memory: Ruskin, Tradition and Architecture. Ed. Michael Wheeler and Nigel Whiteley. Manchester: Manchester University Press, 1992. Print.
Hunt, John Dixon. “Ut pictura poesis, the picturesque, and John Ruskin.” MLN 93. 5 (1978): 794-818. JSTOR. Web. 2 May. 2012.
---, and Peter Willis, ed. The Genuis of the Place. The English Landscape Garden 1620-1820. Cambridge: The MIT Press, 2000. Print.
Hebron, Stephen. The Romantics and the British Landscape. London: British Library, 2006. Print.
Levinson Marjorie. The Romantic Fragment Poem. A Critique of a Form. Chapel Hill: University of North Carolina Press, 1986. Print.
Janowitz, Anne F. England’ s Ruins: poetic purpose and the national landscape. Oxford: Basil Blackwell, 1990. Print.
McFarland, Thomas. Romanticism and the Forms of Ruins: Wordsworth, Coleridge, and Modalities of Fragmentation. Princeton: Princeton University Press, 1981. Print.
Ruskin, John. The Seven Lamps of Architecture. Dover Publication, Inc, 1989. Print.
Ruskin, John. Modern Painters. Ed. E. T. Cook and Alexander
Wedderburn. London: George Allen, 1904. Print. The Complete Works of John Ruskin.
--, The Stone of Venice. Ed. E. T. Cook and Alexander
Wedderburn. London: George Allen, 1904. Print. The Complete Works of John Ruskin.
Wheeler, Michael. “Ruskin among the ruins: tradition and the temple.” The Lamp of Memory: Ruskin, Tradition and Architecture. Ed. Michael Wheeler and Nigel Whiteley. Manchester: Manchester University Press, 1992. Print.
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評量方式
(僅供參考) |
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